Claude Monet, Waterlilies or The Water Lily Pond, 1904

 Claude Monet, Waterlilies or The Water Lily Pond, 1904 Oil

 Axel Ender, Sisters, Hallingdal, 1915 Private collection

Édouard Manet, Moss Roses in a Vase, 1882

Acquired by Sterling and Francine Clark, 1923

 Édouard Manet, Moss Roses in a Vase, 1882 Oil on Canvas

Gunnar Berndtson, The Mirror ; The Toilet, 1889

 Gunnar Berndtson, The Mirror ; The Toilet, 1889 Oil on

 Vincent van Gogh, Pollard Willows, 1889 Oil on Canvas, 55 x

Paul Cézanne, Bend in the Road through the Forest (La route tournante en sous-bois), ca. 1873–1875

Solomon R. Guggenheim Museum, New York Partial gift, George Tetzel in memory of Oscar Homolka and Joan Tetzel Homolka, 1980

 Paul Cézanne, Bend in the Road through the Forest (La route

Francis Picabia, L'église de Montigny, effet d'automne, 1908

 Francis Picabia, L'église de Montigny, effet d'automne

 Sergei Arsenevich Vinogradov, The Lake Oil on Canvas, 71.2

Maxime Maufra, The Marne at Champigny, 1902

 Maxime Maufra, The Marne at Champigny, 1902 Oil on Canvas

Eugène Boudin, Abbeville: Église de Saint-Vulfran, 1894

 Eugène Boudin, Abbeville: Église de Saint-Vulfran, 1894 Oil

"Evening atmosphere in front of the Park" (1881). By Ferdinand Knab (German, 1834 - 1902), Oil on canvas, 48,5 x 38,2 cm. 📍Private collection.

 "Evening atmosphere in front of the Park" (1881). By

Phosphorus and Hesperus,(1881). By Evelyn De Morgan, (1855–1919).

_Art . Oil on canvas, 59 cm x 75 cm. 📍De Morgan Centre

This painting inspired by Greek Mythology depicts the Morning star (Phosphorus) and the Evening star (Hesperus) and alludes to the circle of life. Phosphorus is rising, his torch held erect, heralding the morning which is lightening the sky behind him. In comparison Hesperus's evening starlight is fading, as his flame in its dark torch droops and gutters, his eyes are closing, his dark head anticipating the relaxation of sleep. The stylistically flattened figures and marble tones of the young men in the painting reference Evelyn's interest in classical sculpture and the unusual representation of two nude male figures with their phallic torches caused controversy when first exhibited. However, the female hand is apparent in the painting as the seashore backdrop allowed Evelyn to imbue the image with potent female symbolism in the form of sea shells which represent female fertility and sexual potency.

 Phosphorus and Hesperus,(1881). By Evelyn De Morgan

The Musician, (1884). By Rudolf Ernst, (1932 - 1854) . Oil on panel, 42 x 32 cm.

was an Austro-French painter, printmaker and ceramics painter who is best known for his orientalist motifs. He exhibited in Paris under the name "Rodolphe Ernst"

A Nubian or Sudanese street musician strums wistfully at his kissar, a type of Nubian plucked lyre. The rich layering of his robe and gown exhibit Ernst’s mastery at conveying textiles of different weights and textures. Indeed, the whole composition is a feast for the senses, convincingly conveying multiple tactile surfaces, from the player's gleaming skin and the geometric wood carving in the door panel on the left, to the mashrabiye lattice window overhanging the street, to the carved stonework. In fact, the musician's expression of concentration and unity with his instrument are so compelling that the tune he plays is almost audible.

 The Musician, (1884). By Rudolf Ernst, (1932 - 1854) . Oil

“Woman Walking down the Road through the Tree ” (1887), By Julius Sergius von Klever, (Russian,)

 “Woman Walking down the Road through the Tree ” (1887), By

The New Governess,(1894). By Edmund Blair Leighton, (English, 1852-1922).

_art . Oil on canvas, 57.7 cm x 39.6 cm. 📍Private Collection .

 The New Governess,(1894). By Edmund Blair Leighton

Peter Vilhelm Ilsted, The Open Door, 1912

 Peter Vilhelm Ilsted, The Open Door, 1912 Oil on Panel, 61

Gustave Caillebotte, Rue Halévy, View from a Balcony, 1877

Joaquín Sorolla y Bastida, Fisherman, 1904

 Joaquín Sorolla y Bastida, Fisherman, 1904 Oil on Canvas

 Daniel Garber, The Old Mill, 1921 Oil on Canvas, 105.4 x

William Sergeant Kendall, An Interlude, 1907

Smithsonian American Art Museum and the Renwick Gallery

 William Sergeant Kendall, An Interlude, 1907 Oil on Canvas

Mary Cassatt, The Boating Party, 1893-1894

 Mary Cassatt, The Boating Party, 1893-1894 Oil on Canvas

Resentful of their father’s favouritism for Joseph, his brothers sold him into slavery. They kept his many-coloured coat which his father had made for him, smeared it with kid’s blood and showed the coat to their father Jacob to convince him that his son had been killed by a wild beast.

The composition was first drawn in 1863 for an illustrated Bible. The story comes from the Book of Genesis: a quotation is given on the upper part of the frame. Brown shows the deceitful characters of the brothers, the despair of Jacob and the suspicion felt by his youngest son Benjamin.

The Coat of Many Colours, c.1864-66 by Ford Madox Brown.

 Resentful of their father’s favouritism for Joseph, his

 Edward Hopper, Summer evening, 1947 Oil on Canvas, 76.7 x

Fairfield Porter, Boy in the Doorway, ca. 1948

 Fairfield Porter, Boy in the Doorway, ca. 1948 Oil on

 Cuno Amiet, Summerlandscape, 1940 Oil on Canvas, 54 x 65 cm

 Jean Metzinger, Port au Matin, ca.1907 #jean #metzinger

Anna Ancher, Interior with the Painter's Daughter Helga Sewing, ca.1890

 Anna Ancher, Interior with the Painter's Daughter Helga

Pierre Bonnard, House near the River, ca.1942-1945

 Pierre Bonnard, House near the River, ca.1942-1945 Oil on

Gerhard Munthe, Haymaking, Vik at Stange, 1884

 Gerhard Munthe, Haymaking, Vik at Stange, 1884 Oil on

 Jan Toorop, The Shell Fisher, 1904 Oil on Canvas, 40x 32 cm

 Marie Egner,  In the Arbor, ca.1901 Oil on Cardboard, 50.5

Maurice Utrillo, Boulevard Carnot à Noyon, ca. 1914